The choice of the pink color as the prevailing hue and design motif of the collections of Brumann stems from his attempt to transpose in material form the inner and elusive spell possessed by a woman. A woman enjoys the compliment of being in “pink” from her coo-ing figure inside the cradle, the blush on her cheeks, the purse and width of her lips up to the soft glow of her skin. Expressions that zero in on the pink color as the coefficient of a woman’s beauty and her power to cast attraction.
23271
23269
23270
23481/23440
23479
23480
RGmE 1048-2/RDNp 1079
RGmR 1048-1
23611
23613/23111
23612
23346
23345
23484
23485
23259/23440
23487
RGmNp 1041
RGmP 1071/RGNp 1076-4
RGmNp 1097
RGmP 1059-1/RGCh 1059-2
RGmNp 1094
RGmNp 1083
RGmP 1060-2/RGCh 1088-1
RGmP 1081/RGNp 1077-1
RGmP 1066-2/RGCh 1088-2
RPP 1090-3
RGmP 1086-2/RGCh 1087-1
23162
RPE 1090-2
23570
23164
23574
RGmE 1082-2
RGmE 1150-2
RGmE 0974-2
RGME 0972-2
23419
23206
RGmE 1099-2
23162
23096
23163
23193
RGmR 1099-1
23569
23573
23418
23569
23214
20710B
RGMR 0972-1
RGmR 1086-1
RGmR 1082-1
RPR 1090-1
RGmR 1060-1
RGmR 1082-1
23025
23205
RGmR 0974-1
23662
23622A
RGmR 1150-1
23695
23622A
23691
RGmR 1133-1
23622A
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