The choice of the pink color as the prevailing hue and design motif of the collections of Brumann stems from his attempt to transpose in material form the inner and elusive spell possessed by a woman. A woman enjoys the compliment of being in “pink” from her coo-ing figure inside the cradle, the blush on her cheeks, the purse and width of her lips up to the soft glow of her skin. Expressions that zero in on the pink color as the coefficient of a woman’s beauty and her power to cast attraction.
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